My multidisciplinary art explores the correlations existing between repetitive codes of information uncovered in scientific research and the various structural patterns, which occur in our everyday environment. My process-oriented practice incorporates the complexities of painting, wrapping, automatic writing, cutting, scoring, tying, weaving, and nailing. Combining various materials with existing found objects; my art reflects assemblage, sculpture and large-scale immersive installations. Recurring motifs in my practice are the elliptical forms and spheres often repeated organically in nature. I attribute my interest in these forms to their structural sustainability and therefore prevalence in the universe. I also believe that my art implies a lyrical collision of these binary worlds, resulting in visual interpretations embodying such formal elements of composition as; surface, depth, mark making and balance. Anthropological trends in human behavior are another core concern of mine. Evidenced by a subtle reference to symbolic, materials, imagery and objects interwoven.